Michael Finnissy
Michael Finnissy was born in Tulse Hill, London in 1946. He was a Foundation Scholar at the Royal College of Music, London, where he studied composition with Bernard Stevens and Humphrey Searle, and piano with Edwin Benboe and Ian Lake. Afterwards, he studied in Italy with Roman Vlad.
He created the music department of the London School of Contemporary Dance, and has been associated as composer with many dance companies including London Contemporary Dance Theatre and Ballet Rambert. He has taught at Dartington Summer School, Winchester College, the junior department of the Royal College of Music and is guest lecturer at many colleges and universities. He has also been musician in residence to the Victoria College of the Arts, city of Caulfield in Australia and is currently teaching composition at the University of Sussex, where he is a Research Fellow, and the Royal Academy of Music, London.
From 1990-1997 Michael Finnissy was the first British president of the International Society for Contemporary Music (ISCM) and in 1998 he was appointed an Honorary Life Member, the only British composer to receive this honour since Ralph Vaughan Williams.
His catalogue of over 240 works includes operas, orchestral works and pieces for voice, solo instrument and chamber ensembles. He has been featured composer at the Bath, Huddersfield and Almeida Festivals and his music is performed and broadcast worldwide. In 1996, to mark Finnissy’s 50th birthday, Ian Pace performed the complete piano music, filling six concerts, and has since recorded the hour long works Verdi Transcriptions and Folklore for Metier Records.
Other recordings include Red Earth (BBC Symphony Orchestra on NMC recordings), Banumbirr (Sydney Alpha Ensemble, ABC Classics), English Country Tunes (played by Finnissy himself for Etcetera Records), Mars + Venus and other Ensemble works (IXION for NMC) and the complete works for String Quartet (Kreutzer Quartet for Metier Records). These recordings have received huge critical acclaim in which Finnissy is described as “one of the important living composers” (BBC Music Magazine, 1998) and”Britain’s most important avant-gardist” (Classic CD, 1998).
In 1998 Ashgate Publishing published Uncommon Ground: the music of Michael Finnissy, a major study of his music written by Christopher Fox, Ian Pace and others.
I. OBERTO - Atto secondo. Aria: "Sciagurata! a questo lido ricercai l’amante infido!"; II. UN GIORNO DI REGNO - Atto primo. Terzetto: "Bella speranza in vero"; III. NABUCCO - Parte seconda. Coro: "Il maledetto non ha fratelli"; IV. I LOMBARDI - Atto terzo. Coro: "Fra tante sciagure…"; V. ERNANI - Parte prima. Settetto con Coro: "Vedi come il buon vegliardo…"; VI. I DUE FOSCARI - Atto terzo. Barcarola corale: "Tace il vento, è queta l’onda"; VII. GIOVANNA D'ARCO - Atto primo. Aria: "So che per via di triboli"; VIII. ALZIRA - Atto secondo. Duetto: "Il pianto… l’angoscia… di lean mi priva"; IX. ATTILA - Atto primo. Aria: "Mentre gonfiarsi l’Anima".
Book II :
X. ATTILA - Prologo. Duetto: "Vanitosi! Che abietti e dormenti"; XI. MACBETH (1847) - Atto quarto. Coro: "Patria oppressa! Il dolce nome…"; XII. I MASNADIERI - Parte terza. Duetto: "Qual mare, qual terra…"; XIII. JÉRUSALEM - Acte I. Récit et Duo: "Non, ce bruit, ce n'est rien..."; XIV. IL CORSARO - Atto primo. Romanza: "Non so le tetre immagini"; XV. LA BATTAGLIA DI LEGNANO - Atto quarto. Inno di Vittoria: "Dall’Alpi a Caridi echeggi vittoria!"; XVI. LUISA MILLER - Atto secondo. Scena e Quartetto: "Rea fucina d’empie frodi…"; XVII. STIFFELIO - Atto terzo. Duetto: "Opposto è il calle che in avvenire"; XVIII. RIGOLETTO - Atto primo. Scena e Coro: "Vendetta del pazzo! Contr’esso un rancore".
For solo piano.
Book I Duration 34'51"
Book II Duration 23'04"
XIX: RIGOLETTO - Atto terzo. Canzone: "La donna è mobile"; XX: IL TROVATORE - Atto quarto, prima scena. Duo: "Vivrà! Contende il giubilo"; XXI: LA TRAVIATA - Atto terzo. Duetto: "È nulla, sai?"; XXII: LES VÊPRES SICILIENNES - Acte V, scène II. Boléro: "Merci, jeunes amies, d’un souvenir si doux!"; XXIII: SIMON BOCCANEGRA (1857) - Finale dell’Atto primo. Scena: "Tradimento!"; XXIV: AROLDO - Atto quarto. Coro, Burrasca e Finale: "Allora che gl’anni…"; XXV: UN BALLO IN MASCHERA - Atto primo. Stretta: "Ogni cura si doni al diletto"; XXVI: LA FORZA DEL DESTINO - Atto I. Romanza: "Me pellegrina ed orfano"; XXVII: MACBETH - Atto II. Aria: (a) "Trionfai! Securi alfine" (1847) (b) "La luce langue" (1864-65).
Book IV :
XXVIII: MACBETH (1865) - Atto primo. Coro: "S’allontanarono! N’accozzeremo"; XXIX. DON CARLOS (1866-67) - (a) Acte II, tableau II. Duo: "Restez! Auprès de ma personne" (b) Acte IV, tableau I. Duo: "J'ai tout compris"; XXX. AIDA - Atto terzo. Romanza: "O cieli azzuri…"; XXXI. STRING QUARTET - (a) III. Prestissimo (b) IV. Scherzo Fuga; XXXII. SIMON BOCCANEGRA - Atto secondo. Aria: "Cielo, pietoso, rendila"; XXXIII. DON CARLO - Atto quinto. Aria: "Tu che la vanità conoscesti"; XXXIV. OTELLO (1887) - Atto terzo, finale. (a) Ballet No.3: Chanson Grecque (1894) (b) Scena: "Emilia! una gran nube turbo il senno d'Otello"; XXXV. FALSTAFF - Atto terzo, parte prima: "Brava! Quelle corna saranno la mia gioia!"; XXXVI. MESSA DA REQUIEM - Requiem aeternam.
For solo piano.
Book III Duration 31'55"
Book IV Duration 1h 10'10"
For solo piano.
Reels
NMCD 002.
Verdi Transcriptions
Metier MSVCD 92027.
English Country-Tunes
Heritage HTGCD 253.
Dilok
Metier MSVCD 92050.
Verdi Transcriptions; English Country-Tunes
Metier MEX 77402.
English Country-Tunes Nos 2, 7 and 8
Divine Art DDX 21140.
