Diana Burrell was born in Norwich in 1948. She studied at Cambridge University, afterwards moving to London for 30 years, and now lives in Harwich, Essex. After spending several years as a teacher, she became a free-lance viola player, but gradually concentrated her energies on writing music. Her first piece to receive widespread critical acclaim was the Missa Sancte Endeliente, a 50-minute work written for the 1980 St Endellion Festival. A massive composition for five soloists, semi-chorus, chorus and orchestra, the Missa incorporates settings of Cornish and Latin texts as well as a wide range of compositional techniques from micro tonality to modality. Brought to London for the Spitalfields Festival of 1983, the Missa provided the launching pad for an ongoing series of evermore illustrious commissions and an impressively wide-ranging, adventurous and distinguished body of work.
Burrell’s first major orchestral piece, simply entitled Landscape (1988) has been described as depicting both a wild windswept countryside and a tough urban vista. The use of instruments in their extreme registers is a hallmark of the diversity of orchestral palette the composer puts at her disposal in all her works. Landscape is one of the recent ‘Encore’ winners (an award organised by the Royal Philharmonic Society and BBC Radio 3 and sponsored by the PRS Foundation).
Diana Burrell’s body of work covers the spectrum of compositional achievement from the String Quartet (Gulls and Angels of 1993) to chamber ensemble pieces such as the vividly ritualistic dreamscape Barrow (1991), opera (The Albatross, written in 1987 and premiered to great critical acclaim by Trinity College of Music in June 1997) and of course her dramatic and colourful Symphonies of Flocks, Herds and Shoals (1995-6) which was a commission from the BBC and was premiered in 1997 by the BBC Symphony Orchestra. She has also written many works for young and amateur performers with both respect and imagination, never lowering her compositional sights or blunting the edge of her style.
Her more recent works include Gold (2001), a bright, virtuosic piece for piano and 7 brass players, the Concerto for Violin with Singer and 3 Ensembles (2009) with its fresh and intense sound world, and the wide-ranging yet often intimate structures of the 8 separate works which make up The Hours (2011). This major set of pieces for the organ (or related instruments such as accordion and harmonium) sets the instrument at the core of various different and unusual chamber ensembles, the whole being structured around the ancient, liturgical ‘Hours’ of the Church.
Blaze, a 2013 BBC Proms commission for the young Norwegian brass group tenThing was extremely well-received and led to her current piece of work, a commission from the BBC Symphony Orchestra for a large-scale concerto for the whole of their brass section with the rest of the orchestra. This is scheduled to receive its world premiere in 2016.
For the last three years in addition to her compositional work, Diana ran the Harwich Festival of Arts where her bold, imaginative programming with its emphasis on the contemporary and the thought-provoking attracted national acclaim, greatly lifting the profile of the festival. Her own music has been called fresh and vital, uncompromising in its integrity whilst communicating directly to the listener. She has written of her need for ‘strong, rough-edged things, brave disrespectful shapes and sounds…’ as much a reference to her love of modern architecture as a declaration of her compositional creed. She has succeeded in creating a unique, personal language which is both primeval and unequivocally of our time.
Photo © Pascal Fallas (www.pascalfallas.com)